When I finally got the musical score and the credits for the opening sequence, things changed. As I've said before, music means quite a bit to me when it comes to emotional content. And after listening to the wonderful music from composer Malek Jandali (YouTube) things changed quite a bit. For one thing, because the music is so awesome, I played on some of the many brooding subtleties found in his music as a precursor for the scene.
Instead of trying to tell a story or using complex animations like we had originally discussed, I created a simple stone wall with missing person's posters on it. I combined it with a dark maroon motif, windy dust and particles, windy sounds, audio from missing person's reports, police chatter and lights reflecting on the wall, posters flailing in the wind, and a play on specific letters throughout the animation.
The "KNIGHT" part of the title I animated in using a halogen bulb effect, the letters all flicker randomly for a moment before turning on. I used this same animation to animate single letters in the rest of the cast and production crew.
I wish I could show you the whole animation, but that will have to wait until the film is finished and released. Until then, here are some screenshots:
Friday, April 29, 2011
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VERY NICE, DAVE TOOK TO THIS PROJECT LIKE A TIGER. NEVER HESITATING, HE JUMPED ON BOARD AND QUICKLY BECAME OUR BEST MOST RELIABLE ANIMATOR/DESIGNER.
ReplyDeleteWE THOUGHT HIS SKILLS RESTED IN THE 2D WORLD WHEN SUDDENLY HE TURNED IN A BEAUTIFUL 3D CAR CHASE SCENE; LOOKING BETTER THAN SPIDERMAN.
WE LOVE DAVE AS AN ARTIST. HE'S PATIENT AND HE DELIVERS. NOT ONLY FOR US, DURING OUR FILM, WE REFERRED HIM TO 3 DIFFERENT CLIENTS WHO WERE LEFT SALIVATING AND SATISFIED WITH HIS WORK.
JIBRIL H.
ORIGIN NILE FILMS